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  Ten Discoveries that Rewrote History

"If any global archaeologist were asked to name the top ten archaeological discoveries that have made the greatest impact on archaeology and history, most lists would be likely to unanimously mention the following huge impact discoveries: the Rosetta Stone, Pompeii, Nineveh, Troy, King Tut's Tomb, Machu Picchu, Thera-Akrotiri, the Dead Sea Scrolls, Olduvai Gorge starting with the Leakey Era and the Tomb of the Ten Thousand Warriors in China. This exciting book, written with a taut narrative, relates the dramatic moments of these discoveries, whether by professional archaeologists or by amateurs' accidents, and highlights their significance to history."

Published by Penguin / Plume Publishers
Released Fall, 2007 and on Amazon.com
Go to: www.tendiscoveries.com now!

--- Reviews ---

"...Hunt writes colorfully and enthusiastically...an enjoyable, wide-ranging introduction to the importance of archaeology in writing-or rewriting-history."
-- Library Journal, Aug, 2007

"...A concise, well-written, and engrossing read." -- Manhattan Public Library, Dec, 2008

"...Ten monumental discoveries -- some accidental, some deliberate -- that have historically acted like searchlights illuminating the historical record of particular eras." -- Steve Goddard's History Wire, Jan, 2008

"...Captivating volume catalogs ten earth-shaking archaeological finds brought to light in only the relatively recent past. The accounts skillfully convey the excitement of discovery..." -- Social Studies School Service, 2008

"...brilliant book..." -- The Daily Galaxy, Sept 2007

Amazon.com -- 5 Star Ratings! Customer Reviews


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  Renaissance Visions: Myth and Art

RENAISSANCE VISIONS: MYTH AND ART details selected ekphrases of great painters such as Titian, Mantegna, Leonardo, Bruegel, Michelangelo, among others, on myth. It explores the extensive background and legend surrounding twelve favorite works of Renaissance art, such as Botticelli's Birth of Venus and Caravaggio's Narcissus. Here are vivid interpretations of these classic representations of Greek and Roman myth, taking into account the ambiguity of the original stories and the subsequent variety of perspectives on their meaning. In conversational prose that invites the reader to delve into the book, the book transports the reader into an era devoted to beauty and myth.

Available March, 2008 at Stanford Bookstore, internet and Amazon.com



  Myths For All Time

Timeless Greek myths retold as stories are never out of fashion. These familiar tales form a priceless treasure that became one of the foundations for Western culture, art and history. Without Greek myths, our history, our imagination and our art would be that much poorer. With these myths, we better understand our own time and place. Nearly every great writer for thousands of years has somehow made direct reference or alluded to Greek myths, incorporating some of the stories into many an individual corpus of literature. These watershed myths became vehicles for expressing some of our deepest ideas in metaphor.

Greek myths are essentially metaphysical stories where almost anything can happen, unfolding in twists of plot that employ such universal themes as hope, destiny, love, despair and judgment. In addition to iconographic background and structural analyses, twelve selected myths appear here told in the medium of short story with lively dialogue and riveting action.

The myths selectively told in this book are Orpheus and Eurydice,
Midas' Golden Touch, Daedalus and Icarus, Narcissus and Echo, Heracles at Olympia, Demeter and Persephone, Dionysus and the Pirates, Achilles and Penthesilea, Apollo and Daphne, Oedipus and the Sphinx, Pandora's Box and Endymion and Artemis

Book released Fall 2007 from Ariel Books, New York.
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  Alpine Archaeology

Alpine archaeology is a specialized field, where normal archaeological principles apply (stratigraphy, pedology, data recording, anthropogenic features, materials analyses, etc.) but where circumstances can be considerably different. Higher altitude with a cold climate impacts archaeological research and its practice in different ways, and they also have bearing on the survival of materials, especially organic or metal objects, which could be better preserved due to inhibited decomposition and corrosion from less oxidation and lower diffusion rates. Montane soil and soil chemistry may also be far more geologically-derived than produced by plant decay. The spectacular find of the 5000 year old "Otzi the Ice Man" is an illustration of some of this difference relative to temperate zone archaeology, where his body was frozen in an glacial context for millennia. This book mostly addresses the author's research in the Alps for over a decade, conducted while directing the Stanford Alpine Archaeology Project.

Online previews of some of the chapters can be found below on Archaeolog, a Stanford University internet resource.

Now Available at the Stanford University Bookstore and on Amazon.com by mid-April or early May).

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photo © Marlin Lum



  Rembrandt

This book is now available at the Stanford Bookstore!

Rembrandt van Rijn (1606-69) is the sublime and paradoxically familiar artist. Only the Greatest Masters and Geniuses of the first rank are easily called by one name. Yet even among these peers, few have the distinction of being household names and so often taken for granted as Rembrandt. Both the Romantic and Impressionist movements in art would be unlikely without him. Certainly the Baroque Era in which he lived emulated as well as eventually abandoned him within his poignant and troubled lifetime. Few artists are overshadowed by their own fame in their teens, only to be ignored in their old age like Rembrandt.

Which is the real Rembrandt? Genius, Curmudgeon, Master Engraver, Biblical Master, Hero Cult Figure, Vain, Miser, Greedy, Extravagant Spendthrift, Failed Businessman, Vindictive and Petty are just a few of the nouns and adjectives used to describe Rembrandt even in his own day. Perhaps all of these descriptions are “true” in one way or another. Although it would be impossible to prove many of these somewhat troubling descriptions, they are not necessarily contradictory. It must be one of the greatest paradoxes in art that Rembrandt, like Caravaggio before him, is known for being among the greatest of all religious painters while not being particularly outwardly religious. Rembrandt left no manual of his art, no revelatory journal of his life or handbook of his artistic techniques and very little correspondence has survived beyond little more than a handful of letters and a few brief notes, yet his work has profoundly influenced every generation of artists after him.

Released : Ariel Books, New York, November, 2006
Buy Now! Buy the book now at the Stanford Bookstore

REMBRANDT 2nd edition now available.
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--- Reviews ---

"...Hunt sensitively considers how the circumstances of Rembrandt's life affected his art...for specialists this book has some ideas worth noting and that deserve to be more widely known...a highly readable and accessible work for the general public and an unexpected source of insight for scholars..."
-- from the A.L.A. journal 'CHOICE' (American Library Association)





  Caravaggio (Life & Times)

Born Michelangelo Merisi, as an adult he became known by the name of his birthplace. Caravaggio (1571-1610) was the most revolutionary artist of the Italian Baroque. Consistently emphasizing the humanity of his religious subjects, he established a new way of painting. The intensity of his chiaroscuro style is matched only by the drama of his life. Outlaw, heretic, murderer, and sensualist were a few of the charges brought against him by his contemporaries. Patrick Hunt’s wide-ranging professional and personal scholarship allows him to interpret Caravaggio’s complicated religious and classical imagery while anchoring his art in his life.

CARAVAGGIO was shortlisted for the Saroyan International Prize 2005.

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The Art Newspaper, London, Dec 2004, "... first class ... a rattling good yarn"

The Independent, London, March 2005, "strong narrative"

The Times of London, March 2005,"... the book is one in a series of useful short biographies"

CARAVAGGIO from MERCURY NEWS Ltd, Australia, "In Print Attitude", "Part of the Life and Times series, this superb biography is an excellent introduction to the most revolutionary artist of the late Renaissance. Hunt's grasp of the facts is firm and he never lets the melodrama of Caravaggio's life get out of hand."








Read six poems excerpted from HOUSE OF THE MUSE

  House of the Muse, Poems from the British Museum

How do ancient works of art continue to inspire new art? The great poet Keats must have seen panels of the Parthenon Frieze masterminded by the Greek artist Pheidias in the new British Museum and probably wrote his great poem "Ode on a Grecian Urn" from that inspiration. Some ancient myths are so moving that every generation revisits them in new ways, including music, art, literature, dance, theater and now cinema. We know Homer inspired Virgil. Ovid inspired Titian. Titian inspired Rembrandt. Rembrandt inspired Van Gogh, and so on. Inspiration is not limited to themes or ideas and may sometimes be found in small objects rarely seen or not always deemed major works.

Many know that a museum is a Temple to the Muses, especially the Muse of History. This is a book of poetry about monuments and artifacts, some large, some small. History. Archaeology. It is a reflective response to these survivors of past cultures. Gathered from around the world and sometimes well known for millennia, the individually selected subjects of these poems have been looked at, walked around, and studied in various light at different hours of day for years, encountered countless times by many. They have stories to tell, not only the tales suggested here from the most likely facts of ancient and even imaginary history as told and drawn by an archaeologist-poet, but other stories many others could tell from similar or different encounters.

These survivors belong not to one culture or time and place but to the world and all of history. The poems here date over about a decade and have been at times reworked and polished lovingly like lapidary stones. They are dedicated to all lovers of history and art, but especially to those who have curated and safeguard them, often for centuries.

View Example Illustrations from 'House of the Muse'

Read six poems excerpted from HOUSE OF THE MUSE

This book is now available for sale from August 5, 2005 onward exclusively at
the Stanford Bookstore (by purchase online or in person) and from Iconoclast Books, Ketchum, Idaho (see website Links) from August 19 onward.

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Stanford bookstore : (650) 329-1217
Iconoclast Books in Sun Valley : tollfree (877) 726-1564

Published through Ariel Books, New York
Printed in Canada





  Atlas of Archaeology in the Alps

Archaeology in the Alps is a topic of research covering millennia of occupation and transit through these formidable mountains, from at least the Mesolithic Era circa 9000 BCE when the European glaciers began to sufficiently recede to allow hunting and temporary camps as well as stone tool acquisition. With spectacular finds like "Otzi" the Ice Man in 1991, Neolithic, Copper and Bronze Ages are followed by Iron Age (specifically Hallstat and La Tene cultures) as well as the Celtic tribes concurrent with Greek trade and early Roman expansion. Roman control of the Alps eventually succumbed to Barbarian intrusions as in Langobard and Burgundian occupation. Not since Ludwig Pauli's seminal 1984 study has a book addressed the long record of human prehistory and history in the Alps, although much archaeological material has been discovered since.

published by L'Erma di Bretschneider in RomeISBN pending
Available through publisher and at Stanford University Bookstore.
Due out in 2009

Learn and see how Cultural Heritage Imaging and the Stanford Alpine Archaeology Project worked together to digitally document Roman artifacts and objects from the collection Archeologique du Musee de l'Hospice du Grand St. Bernard.

     




  Poetry in the Song of Songs

Patrick Hunt has written a comprehensive literary analysis of the Classical Hebrew poetry in the biblical SONG OF SONGS - known in Hebrew as SHIR HA-SHIRIM. For the first time, every figurative language device in this Hebrew poetry is annotated and examined (e.g., simile, metaphor, paronomasia, euphemism, hyperbole, etc.) and often compared to Classical literature. He has also rediscovered two Hebrew literary devices never before known except in Classical Hebrew, although apparently lost for millennia to literary criticism, and never before published elsewhere (except in several articles of Patrick's previous publications with Peter Lang Verlag in Frankfurt, BEATAJ 20 & 28). He has named these rediscovered literary devices as 'concealed paronomasia' and 'multiple sensory clusters' as the ancient literary criticism does not appear to have known Hebrew names for them. This new book on the dense, subtle and likely erotic Hebrew poetry of the SONG OF SONGS suggests parallels to much of the world's most beautiful poetry both before and after and offers compelling reasons why this biblical poetry is so rich.

Peter Lang Publishing
New book by Patrick Hunt
Due out in 2008








  Myths of the Ancient Greeks
(Illustrations by Patrick Hunt)

Richard Martin's 2003 book (New American Library/Penguin Books) fuses dramatic retellings of myth expertly woven by Martin, noted mythologist, with drawings by Hunt interspersed. Each of the 20 drawings is executed in a style from Greek vases, either Black Figure or red Figure style. The first of Hunt's gallery images linked here, the Death of Sarpedon as told from Homer's ILIAD, was originally done by the Greek artist Euphronios (c. 510 BC) whose early Red Figure style Hunt has simulated in a line drawing. The second of Hunt's gallery images linked here, Achilles and Ajax Playing a Board Game, was orignally done by the Greek artist Exekias (c. 540 BC) whose Black Figure style Hunt has also simulated in a line drawing. The third of Hunt's gallery images linked here shows a Red Figure line drawing simulation of a Classical Greek artist (c. 450 BC) portraying Gaia (Earth) presenting Athena with the snake-child Erechthonios.

View Example Illustrations


Buy this book at alibris.com.



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